Olivia Forrest

Fablehouse is a children's home like no other. It's a safe haven for Heather and her friends, sheltering them from a society that won't accept the colour of their skin. But soon that is not the only danger that threatens them.

When mysterious spirits infiltrate the house, stealing away some of the children, the friends must follow them to the heart of the underworld. There they find a magical court from Arthurian legend, where bewitched creatures are hatching a plan to take over the human world.

With Pal, the gallant Black Knight, by their side, Heather and friends must resist the glamour of the Fae and battle the Champion. Can they find the inner strength they'll need to save their home?

Elizabeth Gaskell's chilling Gothic tales blend the real and the supernatural to eerie, compelling effect. 'Disappearances', inspired by local legends of mysterious vanishings, mixes gossip and fact; 'Lois the Witch', a novella based on an account of the Salem witch hunts, shows how sexual desire and jealousy lead to hysteria; while in 'The Old Nurse's Story' a mysterious child roams the freezing Northumberland moors. Whether darkly surreal, such as 'The Poor Clare', where an evil doppelganger is formed by a woman's bitter curse, or mischievous like 'Curious, if True', a playful reworking of fairy tales, all the stories in this volume form a stark contrast to the social realism of Gaskell's novels, revealing a darker and more unsettling style of writing.

And then there were three . . .

Three years ago, the sisters confronted their demon father in that strange other-world called Everwhere. It was a battle that ended in a devastating loss, and the scars they carry seem to have slowly pushed the sisters apart . . .

One sister, still raw with grief, is now a near recluse but determined to use her powers to resurrect what she has lost.

Another has made the journey to learn more of her family, her culture and her roots.

And another seems to have turned her back on what she is and opted to lead a more normal life.

But now the sisters are about to be brought together once more. Because when the clock strikes midnight, when October ticks into November, when autumn wilts into winter, when All Hallows' Eve becomes All Saints' Day, the sisters Grimm will turn twenty-one and reach the zenith of their powers.

And on this night, at this time, in this place called Everwhere, anything is possible . . .

Anna is struggling to afford life in London as she trains to be a singer. During the day, she vies to succeed against her course mates with their discreet but inexhaustible streams of cultural capital and money, and in the evening she sings jazz at a bar in the City to make ends meet. It's there that she meets Max, a financier fourteen years older than her.

Over the course of one winter, Anna's intoxication oscillates between her hard-won moments on stage, where she can zip herself into the skin of her characters, and nights spent with Max in his glass-walled flat overlooking the city. But Anna's fledgling career demands her undivided attention, and increasingly - whether he necessarily wills it or not - so does Max…