Joseph Kloska

Bernard Hinault is one of the greatest cyclists of all time. He is a five-time winner of the Tour de France and the only man to have won each of the Grand Tours on more than one occasion. Three decades on from his retirement, he remains the last Frenchman to win the Tour de France. His victory in 1985 marks the turning point when the nation who had dominated the first eight decades of the race they had invented suddenly found they were no longer able to win it.

In Bernard Hinault and the Fall and Rise of French Cycling, number one bestselling author William Fotheringham finally gets to the bottom of this fascinating character and explores the reasons why the nation that considers itself cycling's home has found it so hard to produce another champion.

'I met Reda on Christmas Eve 2012. I was going home after a meal with friends, at around four in the morning. He approached me in the street, and finally I invited him up to my apartment. He told me the story of his childhood and how his father had come to France, having fled Algeria.

We spent the rest of the night together, talking, laughing. At around 6 o'clock, he pulled out a gun and said he was going to kill me. He insulted me, strangled and raped me. The next day, the medical and legal proceedings began.'

History of Violence retraces the story of that night, and looks at immigration, dispossession, racism, desire and the effects of trauma in an attempt to understand, and to outline, a history of violence, its origins, its reasons and its causes.

'I met Reda on Christmas Eve 2012. I was going home after a meal with friends, at around four in the morning. He approached me in the street, and finally I invited him up to my apartment. He told me the story of his childhood and how his father had come to France, having fled Algeria.

We spent the rest of the night together, talking, laughing. At around 6 o'clock, he pulled out a gun and said he was going to kill me. He insulted me, strangled and raped me. The next day, the medical and legal proceedings began.'

History of Violence retraces the story of that night, and looks at immigration, dispossession, racism, desire and the effects of trauma in an attempt to understand, and to outline, a history of violence, its origins, its reasons and its causes.

Elegant, provocative and hugely entertaining, Kingsley Amis's memoirs are filled with anecdotes, experiences and portraits of famous friends, family, acquaintances (and a few eminent foes). From his childhood days to Oxford and army life, his travels abroad and his years as a successful novelist, Memoirs offers extraordinary insights into a unique literary life.

Autumn, 1728. Life is good for Thomas Hawkins and Kitty Sparks. The Cocked Pistol, Kitty's wickedly disreputable bookshop, is a roaring success. Tom's celebrity as 'Half-Hanged Hawkins', the man who survived the gallows, is also proving useful.

Their happiness proves short-lived. When Tom is set upon by a street gang, he discovers there's a price on his head. Who on earth could want him dead - and why?

With the help of his ward, Sam Fleet, and Sam's underworld connections, Tom's investigation leads to a fine house in Jermyn Street, the elegant, enigmatic Lady Vanhook and an escaped slave by the name of Jeremiah Patience.

But for Tom and Kitty, discovering the truth is only the beginning of the nightmare.

Book 4 in the Thomas Hawkins series.

One day, Edouard Louis finds a photograph of his mother from twenty years ago. A picture of a happy young woman, full of hopes and dreams. Growing up, Edouard only knew his mother's sadness, as she found herself trapped in the humdrum life of a housewife, and her struggles against the dominant world of men. What happened in those years since the photo was taken?

Then, at the age of forty-five, his mother frees herself from this oppression. She leaves her husband and her old life behind, to start a new one in Paris.

A Woman's Battles and Transformations is Edouard Louis's most tender book yet. It reckons with the cruel systems that govern our lives, with politics and power - and with the possibility of escape. It is an exquisite and loving portrait of a mother, and an honouring of her self-discovery and liberation as she chooses to live on her own terms.