Olivia Vinall

Mother. Monarch. Murderer. Magnificent. You are born to a king, but marry a tyrant. You stand helplessly as he sacrifices your child to placate the gods. You watch him wage war on a foreign shore and comfort yourself with violent thoughts of your own. You play the part, fooling enemies who deny you justice. Slowly, you plot. You are Clytemnestra. But when the husband who owns you returns in triumph, what then? Acceptance or vengeance - infamy follows both. So you bide your time and wait, until you might force the gods' hands and take revenge. Until you rise. For you understood something that the others don't. If power isn't given to you, you have to take it for yourself.

There is a fine line between coincidence and fate...

In London 1799, Dora Blake is an aspiring jewellery artist who lives with her uncle in what used to be her parents' famed shop of antiquities. When a mysterious Greek vase is delivered, Dora is intrigued by her uncle's suspicious behaviour and enlists the help of Edward Lawrence, a young man seeking acceptance into the Society of Antiquaries. Edward sees the ancient vase as key to unlocking his academic future. Dora sees it as her chance to restore her parents' shop to its former glory, and to escape her uncle.

But what Edward discovers about the vase has Dora questioning everything she has ever known, about her life, her family and the world as she knows it. As Dora uncovers the truth she starts to realise that some mysteries are buried, and some boxes are locked, for a reason.

Gorgeously atmospheric and deliciously page-turning, Pandora deals with themes of secrets and deception, love and fulfilment, fate and hope.

It's 1852 and Margaret Lennox, a young widow, is offered a position as governess at Hartwood Hall. She quickly accepts, hoping this isolated country house will allow her to leave her past behind. Cut off from the village, Margaret soon starts to feel there's something odd about her new home, despite her growing fondness for her bright, affectionate pupil, Louis. There are strange figures in the dark, tensions between servants and an abandoned east wing.

Even stranger is the local gossip surrounding Mrs Eversham, Louis's widowed mother, who is deeply distrusted in the village. Margaret finds distraction in a forbidden relationship with the gardener, Paul. But despite his efforts to reassure her, Margaret is certain that everyone here has something hide. And as Margaret's own past threatens to catch up with her, she must learn to trust her instincts before it's too late...

The world of unknowable objects - magical items that most people have no idea possess powers - has been quiet for decades…

But three current members of a secret society have remained watchful, meeting every six months in the basement of a bookshop in London. They are pledged to protect their archive of magical items hidden away. But when Frank Simpson, the longest-standing member of the Society of Unknowable Objects, hears of a new artefact coming to light in Hong Kong, he sends the Society's newest member, author Magda Sparks, to investigate.

Within hours of arriving in Hong Kong, Magda is facing death and danger, confronted by a professional killer who seems to know all about unknowable objects. Returning to London, Magda learns hers is not the only secret being kept from the other two members. And that the most pernicious secret is about the nature of the Society's mission…

Lydia and Freddie. Freddie and Lydia. They've been together for almost a decade, and Lydia thinks their love is indestructible. But she's wrong. Because on her 27th birthday, Freddie dies in a tragic accident. So now it's just Lydia, and all she wants to do is hide indoors and sob 'til her eyes fall out. But Lydia knows that Freddie would want her to live her life well. So, enlisting the help of his best friend and her sister Elle, she takes her first tentative steps into the world and starts to live - perhaps even to love - again. Then something unbelievable happens, and Lydia gets another chance at her old life with Freddie. But what if there's someone in her new life who wants her to stay?

Tess’ number one priority has always been her three-year-old daughter, Poppy. But splitting up with Poppy’s father, Jason, means that she cannot always be there to keep her daughter safe. When she finds a disturbing drawing, dark and menacing, among her daughter’s brightly coloured paintings, Tess is convinced that Poppy has witnessed something terrible. Something that her young mind is struggling to put into words. But no one will listen. It’s only a child’s drawing, isn’t it? Tess will protect Poppy, whatever the price. But when she doesn’t know what, or who, she is protecting her from, how can she possibly know who to trust?

Cristabel Seagrave has always wanted her life to be a story, but there are no girls in the books in her dusty family library. For an unwanted orphan who grows into an unmarriageable young woman, there is no place at all for her in a traditional English manor.

But from the day that a whale washes up on the beach at the Chilcombe estate in Dorset, and twelve-year-old Cristabel plants her flag and claims it as her own, she is determined to do things differently.

With her step-parents blithely distracted by their endless party guests, Cristabel and her siblings, Flossie and Digby, scratch together an education from the plays they read in their freezing attic, drunken conversations eavesdropped through oak-panelled doors, and the esoteric lessons of Maudie their maid.

But as the children grow to adulthood and war approaches, jolting their lives on to very different tracks, it becomes clear that the roles they are expected to play are no longer those they want. As they find themselves drawn into the conflict, they must each find a way to write their own story...