Pippa Bennett-Warner

Come of age in the credit crunch. Be civil in a hostile environment. Step out into a world of Go Home vans. Go to Oxbridge, get an education, start a career. Do all the right things. Buy a flat. Buy art. Buy a sort of happiness. But above all, keep your head down. Keep quiet. And keep going.

The narrator of Assembly is a Black British woman. She is preparing to attend a lavish garden party at her boyfriend's family estate, set deep in the English countryside. At the same time, she is considering the carefully assembled pieces of herself. As the minutes tick down and the future beckons, she can't escape the question: is it time to take it all apart?

Assembly is a story about the stories we live within - those of race and class, safety and freedom, winners and losers. And it is about one woman daring to take control of her own story, even at the cost of her life.

What is lost when knowledge is withheld? Oxford, 1914. When the the young men are drawn away to fight, it is the women who must keep going. Twin sisters Peggy and Maude work in the bindery at Oxford University Press in Jericho. Peggy is intelligent, ambitious and dreams of studying - but is often reminded that her job is to bind the books, not read them. Maude, meanwhile, is extraordinary and vulnerable. She wants nothing more than what she has, and Peggy must watch over her.

When refugees arrive from devastated Belgium, it sends ripples through the community and through the sisters' lives. Peggy begins to see the possibility of another future: one where she can use her intellect and not just her hands. But as war and illness reshape her world, it is love, and the responsibility that comes with it, that threaten to hold her back . . .

On Brazzaville Beach, on the edge of Africa, Hope Clearwater ponders the strange circumstances that led her to leave her husband John, and his mathematical obsessions, in England and venture to Africa to help world-renowned scientist Eugene Mallabar with his studies of wild chimps. But the more Hope studies Mallabar, the more she comes to believe that something isn't right. That behind Mallabar, and his obsessive work, there lies another, more sinister truth: one that might also help explain Hope's reasons for leaving England... 

Esme is born into a world of words. Motherless and irrepressibly curious, Esme spends her childhood in the Scriptorium, a garden shed in Oxford where her father and a team of lexicographers are gathering words for the very first Oxford English Dictionary. Esme's place is beneath the sorting table, unseen and unheard. One day, she sees a slip containing the word bondmaid flutter to the floor unclaimed. Esme seizes the word and hides it in an old wooden trunk that belongs to her friend, Lizzie, a young servant in the big house. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men. They help her make sense of the world.

Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women's experiences often go unrecorded. She begins to collect words for another dictionary: The Dictionary of Lost Words. Set when the women's suffrage movement was at its height and the Great War loomed, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. It's a delightful, lyrical and deeply thought-provoking celebration of words, and the power of language to shape our experience of the world.

The woman's place of power within each of us is neither white nor surface; it is dark, it is ancient, and it is deep. The revolutionary writings of Audre Lorde gave voice to those 'outside the circle of this society's definition of acceptable women'.

Uncompromising, angry and yet full of hope, this collection of her essential prose - essays, speeches, letters, interviews - explores race, sexuality, poetry, friendship, the erotic and the need for female solidarity and includes her landmark piece 'The Master's Tools Will Never Dismantle the Master's House'.

Two brown girls dream of being dancers - but only one, Tracey, has talent. The other has ideas: about rhythm and time, about black bodies and black music, what constitutes a tribe or makes a person truly free. It's a close but complicated childhood friendship that ends abruptly in their early 20s, never to be revisited but never quite forgotten, either....

In the darkness, we all need a little light . . .After Mike loses Pia, his partner of seventeen years, their best friends Vicky and Zaza try to help pick up the pieces.But though Pia's gone, she left a plan. A list of loving instructions to help Mike and her friends come to terms with their loss. And they're each going to need it . . .Just-engaged Zaza fears committing any further.Exhausted mother and wife Vicky has lost sight of herself.While Mike just feels all the colour has gone from his life.When the list sends them trekking to Peru, where high mountains and sweltering rainforests push them to the brink, all they have to guide them is their faith in Pia and in themselves. But will they learn that anything is possible when you're walking on sunshine?