David Sibley

Daniel Pitt was an RAF fighter in the First World War and an espionage agent for the SOE in the Second. Now the conflicts he faces are closer to home. Daniel's marriage has fractured beyond repair and Daniel's relationship with his son, Bertie, has been a failure since Bertie was a small boy. But after his brother Archie's death, Daniel is keen for new perspectives. He first travels to Peshawar to bury Archie in the place he loved best, and then finds himself in Canada, avoiding his family and friends back in England. But some bonds are hard to break. Daniel and Bertie's different experiences of war, although devastating, also bring with them the opportunity for the two to reconnect. If only they can find a way to move on from the past.

Taliesin's is one of the most important names in all Welsh literature - and one of its greatest mysteries. He has fascinated and inspired some of our greatest poets, including Tennyson and Robert Graves. He is a poet; a shapeshifter; a seer; a chronicler of battles fought, by sword and with magic, between the ancient kingdoms of the fifth- and sixth-century British Isles; a bridge between old Welsh mythologies and the new Christian theology; and a figure whose literary legend culminated with the compilation in thirteenth-century North Wales of The Book of Taliesin, an anthology gathering the work of some 700 years of anonymous hands.

In the first volume since 1915 to gather the The Book of Taliesin in its entirety, Gwyneth Lewis and Rowan Williams's artfully accessible translation makes these outrageous, swaggering and joyful poems available to a new generation of readers.

Taliesin's is one of the most important names in all Welsh literature - and one of its greatest mysteries. He has fascinated and inspired some of our greatest poets, including Tennyson and Robert Graves. He is a poet; a shapeshifter; a seer; a chronicler of battles fought, by sword and with magic, between the ancient kingdoms of the fifth- and sixth-century British Isles; a bridge between old Welsh mythologies and the new Christian theology; and a figure whose literary legend culminated with the compilation in thirteenth-century North Wales of The Book of Taliesin, an anthology gathering the work of some 700 years of anonymous hands.

In the first volume since 1915 to gather the The Book of Taliesin in its entirety, Gwyneth Lewis and Rowan Williams's artfully accessible translation makes these outrageous, swaggering and joyful poems available to a new generation of readers.

Laurie Lee left his childhood village to travel the world, but was always drawn back to his beloved Slad Valley, eventually returning to make it his home. In this portrait of his Cotswold home, Lee guides us through its landscapes, and shares memories of his village youth - from his favourite pub to winter skating on the pond, the church through the seasons, local legends, learning the violin and playing jazz records in the privy on a wind-up gramophone.This is a writer's tribute to the landscape that shaped him, and where he found peace.

Once again, Commissario Guido Brunetti is willing to bend police rules for an acquaintance, even though Elisabetta Foscarini, the woman who asks the favour, is not really a friend. But her mother was good to Brunetti's, so he feels he has no choice but to repay the debt and agrees to look into the matter 'privately', rather than as a police official.
Her son-in-law has alarmed his wife by telling her they might be in danger because of something he's involved with.

Because Enrico Fenzo is an accountant, Brunetti suspects that the likely reason must be the finances of one of his clients. Brunetti takes a look and finds little: one client is an optician, another Fenzo`s father-in-law, whom he helped establish a charity, another the owner of a restaurant.

He is about to tell his friend that he can find no reason for preoccupation when her daughter's place of work is vandalised, forcing Brunetti to turn his attention - still 'private' - to Elisabetta's own family.

What he discovers shows the Janus-faced nature of yet another Italian institution as well as the wobbly line that attempts to differentiate between the criminal and the non-criminal.  Book 31 of series.

At the age of ninety-something, Beryl Dusinbery is forgetting everything - including her own children. She spends her days stitching morbid samplers and tormenting her two long-suffering carers, Nastya and Euphoria, with tangled stories of her husbands and love affairs. 

Shimi Carmelli can do up his own buttons, walks without the aid of a frame and speaks without spitting. Among the widows of North London, he's whispered about as the last of the eligible bachelors. Unlike Beryl, he forgets nothing - especially not the shame of a childhood incident that has hung over him like an oppressive cloud ever since.

There's very little life remaining for either of them, but perhaps just enough to heal some of the hurt inflicted along the way, and find new meaning in what's left. Told with Jacobson's trademark wit and style, Live a Little is in equal parts funny, irreverent and tender - a novel to make you consider all the paths not taken, and whether you could still change course.

A Moment of War is the powerful and harrowing final book in Laurie Lee's acclaimed trilogy that began with Cider with Rosie

Laurie Lee was still a young man when he decided to fight for the Republican cause in Spain's civil war. But though he braved icy, storm-swept mountains alone to contact Republican sympathisers, he was immediately suspected of being a Nationalist spy. Imprisoned and almost executed by his own side, he eventually joined the International Brigade. This is the story of his experiences as a Republican soldier, fighting for the losing side in a doomed war.

Malcolm, Peter and Charlie and their Soave-sodden wives have one main ambition left in life: to drink Wales dry. But their routine is both shaken and stirred when they are joined by professional Welshman Alun Weaver (CBE) and his wife, Rhiannon.

Putin's Wars is a timely overview of the conflicts in which Russia has been involved since Vladimir Putin became prime minister and then president of Russia, from the First Chechen War to the two military incursions into Georgia, the annexation of Crimea and the eventual invasion of Ukraine itself. But it also looks more broadly at Putin's recreation of Russian military power and its expansion to include a range of new capabilities, from mercenaries to operatives in a relentless information war against Western powers.

This is an engrossing strategic overview of the Russian military and the successes and failures on the battlefield. Thanks to Dr Galeotti's wide-ranging contacts throughout Russia, it is also peppered with anecdotes of military life, personal snapshots of conflicts, and an extraordinary collection of first-hand accounts from serving and retired Russian officers.

On a cold November evening, Guido Brunetti and Paola are up late when a call from his colleague Ispettore Vianello arrives, alerting the Commissario that a hand has been seen in one of Venice's canals. The body is soon found, and Brunetti is assigned to investigate the murder of an undocumented Sri Lankan immigrant. Because no official record of the man's presence in Venice exists, Brunetti is forced to use the city's far richer sources of information: gossip and the memories of people who knew the victim. Curiously, he had been living in a garden house on the grounds of a palazzo owned by a university professor, in which Brunetti discovers books revealing the victim's interest in Buddhism, the revolutionary Tamil Tigers, and the last crop of Italian political terrorists, active in the 1980s.

As the investigation expands, Brunetti, Vianello, Commissario Griffoni, and Signorina Elettra each assemble pieces of a puzzle-random information about real estate and land use, books, university friendships-that appear to have little in common. Until Brunetti stumbles over something that transports him back to his own student days, causing him to reflect on lost ideals and the errors of youth, on Italian politics and history, and on the accidents that sometimes lead to revelation.  Book 32 of series.

No other country has been so divided over its own past as Russia. None has changed its story so often. How the Russians came to tell their story, and to reinvent it as they went along, is a vital aspect of their history, their culture and beliefs. To understand what Russia's future holds - to grasp what Putin's regime means for Russia and the world - we need to unravel the ideas and meanings of that history.

In The Story of Russia, Orlando Figes brings into sharp relief the vibrant characters that comprise Russia's rich history, and whose stories remain so important in making sense of the world's largest nation today - from the crowning of sixteen-year-old Ivan the Terrible in a candlelit cathedral, to Catherine the Great, riding out in a green uniform to arrest her husband at his palace, to the bitter last days of the Romanovs. 

When important information is leaked from inside the Venetian Questura, Commissario Guido Brunetti is entrusted with the task of uncovering which of his colleagues is responsible. But before Brunetti can begin his investigation, he is surprised by the appearance in his office of a friend of his wife's, who is fearful that her son is using drugs. A few weeks later, Tullio Gasparini, the woman's husband, is found unconscious with a serious head injury at the foot of a bridge, and Brunetti is drawn to pursue a possible connection to the boy's behaviour. But the truth is not straightforward.

When Dottoressa Donato calls the Questura to report that a dying patient at the hospice Fatebenefratelli wants to speak to the police, Commissario Guido Brunetti and his colleague, Claudia Griffoni, waste no time in responding.

'They killed him. It was bad money. I told him no', Benedetta Toso gasps the words about her recently-deceased husband, Vittorio Fadalto.

They discover that Fadalto worked in the field collecting samples of contamination for a company that measures the cleanliness of Venice's water supply and that he had died in a mysterious motorcycle accident.

Piecing together the tangled threads, in time Brunetti comes to realize the perilous meaning in the woman's accusation and the threat it reveals to the health of the entire region. But justice in this case proves to be ambiguous, as Brunetti is reminded it can be when, seeking solace, he reads Aeschylus's classic play The Eumenides.

As a favour to his wealthy father-in-law, the Count Falier, Commissario Guido Brunetti agrees to investigate the seemingly innocent wish of the Count's best friend, the elderly and childless Gonzalo, to adopt a younger man as his son. Under Italian inheritance laws, this man would become the sole heir to Gonzalo's substantial fortune, something which Gonzalo's friends, including the Count, find appalling.

Not long after Brunetti meets with Gonzalo, the elderly man unexpectedly passes away from natural causes. Old and frail, Gonzalo's death goes unquestioned, and a few of his oldest friends gather in Venice to plan the memorial service.

But when Berta, a striking woman and one of Gonzalo's closest confidantes, is strangled in her hotel room, Brunetti is drawn into long-buried secrets from Gonzalo's past. What did Berta know? And who would go to such lengths to ensure it would remain hidden?

On a small island off the south coast of France, Robert Hendricks – an English doctor who has seen the best and the worst the twentieth century had to offer – is forced to confront the events that made up his life. His host is Alexander Pereira, a man who seems to know more about his guest than Hendricks himself does.