Bill Nighy

That morning, Jim Sams, clever but by no means profound, woke from uneasy dreams to find himself transformed into a gigantic creature. Jim Sams has undergone a metamorphosis. In his previous life he was ignored or loathed, but in his new incarnation he is the most powerful man in Britain - and it is his mission to carry out the will of the people. Nothing must get in his way: not the opposition, nor the dissenters within his own party. Not even the rules of parliamentary democracy. With trademark intelligence, insight and scabrous humour, Ian McEwan pays tribute to Franz Kafka's most famous work to engage with a world turned on its head.

On a dark winter's night in 1970, Horley and Grinstead huddle for warmth in the Senior Common Room of a college in Oxford. Conversation turns to the two impressive works of art that Horley has recently added to his collection. What the two men don't know is that these pieces are connected in mysterious and improbable ways; and they are about to be caught in the cross-fire of a story which has travelled time and worlds.

Eight incisive dramas by the internationally-renowned playwright - plus bonus interview

Writer and director David Hare is one of England's leading political dramatists, celebrated for his many award-winning plays analysing the morality of contemporary Britain. This collection comprises some of his most acclaimed pieces, as well as a fascinating radio interview with Hare himself.

It opens with his two acknowledged masterpieces: Plenty and Amy's View. These mesmerising dramas, both spanning several decades, present vivid portraits of strong women diminished by circumstance, metaphorically evoking the changing values and collapsing ideals of the postwar period. These are followed by Knuckle, a fast-paced parody of the American hardboiled thriller set in the Home Counties; and Pravda, co-written with Howard Brenton, a satirical comedy about a monstrous media tycoon.

Also included are The Bay at Nice, set in 1950s Russia and exploring the nature of art and freedom; Skylight, about the reunion between a Thatcherite entrepreneur and his onetime mistress; Racing Demon, the first in a trilogy of plays about British institutions, focusing on the Church of England in crisis; and the play in which Hare made his acting debut: the powerful monologue Via Dolorosa, a meditation on his extraordinary 1997 trip to Israel and Palestine.

Among the stellar cast: Jane Lapotalre, Zoë Wanamaker, Judi Dench, Samantha Bond, Anthony Hopkins, Bill Nighy, Robert Glenister, Stephen Tompkinson, Ronald Pickup, Geoffrey Palmer, Stella Gonet & Paul McGann.

In an interview for the World Service arts programme Meridian, David Hare talks about why he enjoys writing good parts for women, what he believes plays can achieve that other media cannot, and the capacity of art to change society.

Production credits
Written by David Hare.
Pravda written by David Hare and Howard Brenton.
Text copyright © David Hare 1974 (Knuckle), 1978 (Plenty), 1986 (The Bay at Nice), 1990 (Racing Demon), 1995 (Skylight), 1997 (Amy's View), 1998 (Via Dolorosa). Pravda text copyright © David Hare and Howard Brenton 1985.
All rights reserved.
Special thanks to The British Library and Keith Wickham for sourcing audio files.

Content list


1. Plenty
2. Amy's View
3. Knuckle
4. Pravda
5. The Bay at Nice
6. Skylight
7. Racing Demon
8. Via Dolorosa

Bonus interview
Meridian: David Hare
First broadcast BBC World Service, 21 October 1991

He's a self-made millionaire, head of the Moonraker rocket programme and loved by the press. So why is Sir Hugo Drax cheating at cards? Bond has just five days to uncover the sinister truth behind a national hero.

Consisting of four novels - Some Do Not..., No More Parades, A Man Could Stand Up and The Last Post - Parade's End is the story of Christopher Tietjens and his progress from the secure world of Edwardian England into the First World War and beyond. Both a portrait of a love triangle - between Tietjens, his beautiful and reckless wife Sylvia, and the suffragette Valentine - and a depiction of life on the Western Front, Parade's End is one of the greatest fictional works of the twentieth century. Ranging from the drawing rooms of England to the trenches of France, and moving between past and present, it is a haunting exploration of identity, loss and memory.