Huw Parmenter

D H Lawrence is no longer censored, but he is still on trial - and we are still unsure what the verdict should be, or even how to describe him. History has remembered him, and not always flatteringly, as a nostalgic modernist, a sexually liberator, a misogynist, a critic of genius, and a sceptic who told us not to look in his novels for 'the old stable ego', yet pioneered the genre we now celebrate as auto-fiction. But where is the real Lawrence in all of this?

Delving into the memoirs of those who both loved and hated him most, Burning Man follows Lawrence from the peninsular underworld of Cornwall in 1915 to post-war Italy to the mountains of New Mexico, and traces the author's footsteps through the pages of his lesser known work.

 

Frank is ten. He likes cottage pie and football and cracking codes.

Max is five. He eats only Quavers and some colours are too bright for him and if he has to wear a new T-shirt he melts down down down.

Sometimes Frank wishes Mum could still do huge paintings of stars and asteroids like she used to, but since Max was born she just doesn't have time. When tragedy hits Frank and Max's lives like a comet, can Frank piece together a universe in which he and Max aren't light years apart?