Natalie Pela

Living with a moving pastoralist community in Europe over the course of one summer, Kassabova experiences the intensity, brutality, beauty and isolation of their existence. She witnesses the epic, orchestrated activity of transhumance - the seasonal movement of vast herds of sheep, along with shepherds and dogs. As she becomes attuned to the sacrifices inherent in this work and the rich histories that shaped this Balkan region, Kassabova finds herself drawn deeper into the tangled relationships at the heart of the small community.

Anima is an extraordinary portrayal of pastoral life, where humans and animals exist in profound interdependence. Kassabova conjures the spirit of this remarkable place with intimacy and empathy, and helps us imagine how we might all begin to heal our broken relationship with the natural world.

1939: On the eve of war, young English heiress Grace Grey travels from London to the wilderness of Tasmania. Coaxed out of her shell by the attentions of her Irish neighbour, Daniel - Grace finally learns to live. But when Australian forces are called to the frontline, and Daniel with them, he leaves behind a devastating secret which will forever bind them together.

1975: Artist Willow Hawkins, and her new husband, Ben, can't believe their luck when an anonymous benefactor leaves them a house on the remote Tasmanian coast. Confused and delighted, they set out to unmask Towerhurst's previous owner.

2004: Libby Andrews has always been sheltered from the truth behind her father Ben's death. When she travels to London and discovers a faded photograph, a long-buried memory is unlocked, and she begins to follow an investigation that Ben could never complete.

Our creation stories begin with the notion of expulsion from our 'original' home. We spend our lives struggling to return to the place we fit in, the body we belong in, the people that understand us, the life we were meant for. But the places we remember are ever-changing, and ever since we left, they continue to alter themselves, betraying the deal made when leaving.

Australian writer Amaryllis Gacioppo has been raised on stories of original homes, on the Palermo of her mother, the Benghazi of her grandmother and the Turin of her great-grandmother. But what does belonging mean when you're not sure of where home is? Is the modern nation state defined by those who flourish there or by those who aren't welcome? Is visiting the land of one's ancestors a return, a chance to feel complete, or a fantasy?