Colum McCann

Rami Elhanan and Bassam Aramin live near one another - yet they exist worlds apart. Rami is Israeli. Bassam is Palestinian. Rami's license plate is yellow. Bassam's license plate is green. It takes Rami fifteen minutes to drive to the West Bank. The same journey for Bassam takes an hour and a half.

Both men have lost their daughters. Rami's thirteen-year-old girl Smadar was killed by a suicide bomber while out shopping with her friends. Bassam's ten-year-old daughter Abir was shot and killed by a member of the border police outside her school. There was a candy bracelet in her pocket she hadn't had time to eat yet. The men become the best of friends.

One powerful novella, with two thematically linked short stories on either side of it, forms the basis of Everything in This Country Must. Although these are stories about Ireland and the Troubles, they have an almost mythical rather than a political feel. In the title story, four young soldiers help a farmer and his daughter free their horse from a stream in flood, unable to understand that their help will never be anything but an insult. In the novella, Hunger Strike, a young boy and his mother flee to Galway as the boy's uncle succumbs to a hunger strike in a Derry gaol. In Wood, a ten-year-old boy is asked by his mother to make poles for the marching season. 

An ageing nun is tracked to ground by her sister; a garrulous beautician must lay out the corpse of a loved one. These are eloquent tales of exile and displacement, of characters always in search of a way back home or of a way to leave it. Mischievous, assured and versatile, Colum McCann's collection of short stories marks him out as one of our best contemporary writers.

Comprising fifty-two short prose pieces, Letters to a Young Writer ranges from practical matters of authorship, such as finding an agent, the pros and cons of creative writing degrees and handling bad reviews, through to the more joyous and celebratory, as McCann elucidates the pleasures to be found in truthful writing, for: 'the best writing makes us glad that we are - however briefly - alive.' Emphatic and empathetic, pragmatic and profound, this is an essential companion to any author's journey - and a deeply personal work from one of our greatest literary voices.

Old and frail, J. Mendelssohn is entirely reliant on the help of his paid carer, and as he waits for the heating to come on, the clacking of the pipes stirs memories of the past; of his childhood in Lithuania and Dublin, of his distinguished career as a judge, and of his late wife, Eileen.

Later he leaves the house to meet his son Elliot for lunch, and when ELliot departs mid-meal, Mendelssohn continues eating alone as the snow falls heavily outside. Moments after he leaves the restaurant he is brutally attacked. The detectives working on the case search through the footage of Mendelssohn's movements, captured by cameras in his home and on the street. Their work is like that of a poet: the search for a random word that, included at the right instance, will suddenly make sense of everything.