Robert Macfarlane

As the nights get darker and colder, curl up with voices of hope and renewal - feel the natural world come back to life around you . . .

The Lost Spells is an audio treasure, a new collection of 'spells' - acrostic poetry and artwork - by writer Robert Macfarlane and artist Jackie Morris. For those who loved The Lost Words - this is its little sister.

Captivatingly read, calling to forest, field, riverbank, ocean and also to the heart, these 'spells' summon back what is often lost from sight and care. From Jay to Jackdaw, Oak to Barn Owl, Silver Birch to Grey Seal, they evoke the special spirit of each plant and creature. Above all, they celebrate a sense of wonder at nature's power to amaze, console and bring joy.

Across a bewitching natural soundscape by renowned wildlife recordist Chris Watson, readers Yrsa Daley-Ward, Johnny Flynn and Julie Fowlis bring the magic of both nature and language to listeners in an immersive and unique audio experience.

Somewhere on a salt-and-shingle island, inside a ruined concrete structure known as The Green Chapel, a figure called The Armourer is leading a ritual with terrible intent. But something is coming to stop him.

Five more-than-human forms are traversing land, sea and time towards The Green Chapel, moving to the point where they will converge and become Ness. Ness has lichen skin and willow-bones. Ness is made of tidal drift, green moss and deep time. Ness has hagstones for eyes and speaks only in birds. And Ness has come to take this island back.

What happens when land comes to life? What would it take for land to need to come to life?

Using words, the pair have together made a minor modern myth. Part-novella, part-prose-poem, part-mystery play, in Ness their skills combine to dazzling, troubling effect.

In The Old Ways, Robert Macfarlane sets off from his Cambridge home to follow the ancient tracks, holloways, drove-roads, and sea paths that form part of a vast network of routes crisscrossing the British landscape and its waters, and connecting them to the continents beyond. The result is an immersive, enthralling exploration of the ghosts and voices that haunt old paths, of the stories our tracks keep and tell, of pilgrimage and ritual, and of song lines and their singers. Above all this is a book about people and place: about walking as a reconnoiter inwards, and the subtle ways in which we are shaped by the landscapes through which we move. Told in Macfarlane’s distinctive and celebrated voice, the book folds together natural history, cartography, geology, archaeology, and literature. His tracks take him from the chalk downs of England to the bird-islands of the Scottish northwest, and from the disputed territories of Palestine to the sacred landscapes of Spain and the Himalayas. Along the way he walks stride for stride with a 5000-year-old man near Liverpool, follows the ‘deadliest path in Britain’, sails an open boat out into the Atlantic at night and crosses paths with walkers of many kinds - wanderers, wayfarers, pilgrims, guides, shamans, poets, trespassers, and devouts. He discovers that paths offer not just means of traversing space, but also of feeling, knowing, and thinking. The old ways lead us unexpectedly to the new, and the voyage out is always a voyage inwards.

From the ice-blue depths of Greenland's glaciers, to the underground networks by which trees communicate, from Bronze Age burial chambers to the rock art of remote Arctic sea-caves, this is a deep-time voyage into the planet's past and future. Global in its geography, gripping in its voice and haunting in its implications, this is a work of huge range and power.