Clare Chambers

On the brink of forty, newly single with a failed business, Philip thought he'd reached an all-time low.

It only needed a discarded chip on a South London street to lay him literally flat. So, bedbound and bored, Philip naturally starts to write the story of his life. But between the mundane catalogue of seaside holidays and bodged DIY, broken relationships and unspoken truths, more surprises are revealed, both comic and touching, than Philip or his family ever bargained for. Even, perhaps, a happy ending...

In 1976 four students took a trip to the desert. Now the repercussions of that fateful summer are coming back to haunt them...

And repercussions are just what Guy doesn't need: his wife, Jane, is moving swiftly from slightly eccentric to downright peculiar, their three-year-old daughter seems set on destroying Jane's sanity, and now even God's gone quiet on him. As for Nina, she's having enough trouble with her son, James. He's got exams looming, a new girlfriend with pneumatic breasts and now, it seems, he's on drugs. Nina certainly won't welcome any ghosts from the past.

Life isn't going smoothly for anyone. But when Hugo, long-forgotten agent of misfortune, threatens to pay them all a visit, disaster seems unavoidable.

When aspiring novelist Christopher Flinders drops out of university to write his masterpiece (in between shifts as a fish delivery man and builder's mate), his family is sceptical. But when he is taken up by the London editor Owen Goddard and his charming wife Diana it seems success is just around the corner.

Christopher's life has so far been rather short of charm - growing up in an unlovely suburb, with unambitious parents and a semi-vagrant brother - and he is captivated by his generous and cultured mentors. However, on the brink of realising his dream, Christopher makes a desperate misjudgement which results in disaster for all involved. Shattered, he withdraws from London and buries himself in rural Yorkshire, embracing a career and a private life marked by mediocrity.

Twenty years on, a young academic researching into Owen Goddard seeks him out, and Christopher is forced to exhume his past, setting him on a path to a life-changing discovery.

Without noticing, Esther Fairchild has become a prisoner of routine. Living with her brother she illustrates children's books in the day and works as a waitress at night. Every week she visits her father, and every fortnight she meets her married lover. Then one day she encounters a face in a crowd…

In an age of social media and selfies, of pixel-perfect pictures and surgically-enhanced celebrities, the pressure to change our bodies can often seem overwhelming. We are told we should conceal the signs of ageing and get our bodies back after pregnancy. We ought to perfect our complexions, build our biceps, trim our waistlines, cure our disabilities, conceal our quirks. More than ever before, we should contort our physical selves to prejudiced standards of beauty and acceptability.

In this thought-provoking work, acclaimed political philosopher Clare Chambers argues that the unmodified body is a key principle of equality. While defending the right of anyone to change their bodies, she argues that the social pressure to modify sends a powerful message: you are not good enough. The body becomes a site of political importance: a place where inequalities of sex, gender, race, disability, age, and class are reinforced.

Through a clear-sighted analysis of the power dynamics that structure our society, and with examples ranging widely from body-building to breast implants, makeup to male circumcision, Intact stresses that we must break away from the oppressive forces that demand we alter our bodies. Instead, it offers a vision of the human body that is equal without expectation: an unmodified body that is not an image of perfection or a goal to be attained, but a valued end in itself.

Abigail Jex never expected to see any of the Radley household again. 

The Radley's were extraordinary, captivating creatures transplanted from a bohemian corner of North London to outer suburbia, and the young Abigail found herself drawn into their magic circle: the eccentric Frances, her new best friend; Frances' mother, the liberated, headstrong Lexi; and of course the brilliant, beautiful Rad. Abigail thought she'd banished the ghost of her life with them and the catastrophe that ended it, but thirteen years later a chance encounter forces her to acknowledge that the spell is far from broken...

In all failed relationships there is a point that passes unnoticed at the time, which can later be identified as the beginning of the decline. For Helen it was the weekend that the Hidden Man came to Westbury Park.

Croydon, 1964. Helen Hansford is in her thirties and an art therapist in a psychiatric hospital where she has been having a long love affair with Gil: a charismatic, married doctor.

One spring afternoon they receive a call about a disturbance from a derelict house not far from Helen's home. A thirty-seven-year-old man called William Tapping, with a beard down to his waist, has been discovered along with his elderly aunt. It is clear he has been shut up in the house for decades, but when it emerges that William is a talented artist, Helen is determined to discover his story.

1957, the suburbs of South East London. Jean Swinney is a journalist on a local paper, trapped in a life of duty and disappointment from which there is no likelihood of escape. When a young woman, Gretchen Tilbury, contacts the paper to claim that her daughter is the result of a virgin birth, it is down to Jean to discover whether she is a miracle or a fraud. As the investigation turns her quiet life inside out, Jean is suddenly given an unexpected chance at friendship, love and - possibly - happiness. But there will, inevitably, be a price to pay.