Christopher Fitz-Simon

Ireland in the fifties, and the days of mass tourism and indoor plumbing have not yet come to rural Co. Donegal. But in the small, sleepy town of Ballylenon, change is coming, and trouble is brewing. A power struggle is under way for control of the town, with two rival forces aligned against each other. Seeking to rule the roost are hotel owner and undertaker Phonsie Doherty and his allies, sisters Muriel and Vera McConkey. These two formidable ladies are in charge of the corner shop/Post Office and Telephone Exchange, and are known as the eyes and ears of Ballylenon - while the voice is provided by local newspaper The Vindicator.

Between them, they seem to have the means of communication sewn up - but the opposing faction, led by primary teacher Vivienne Boal, the Reverend Samuel Hawthorne, and police officer Guard Gallagher, are determined to have their say. A supporter of cultural causes, such as music festivals and architectural conservation, Vivienne is bright, breezy and apparently straightforward - but she manages to achieve certain aims by devious means... The antagonism between the two camps is thinly veiled - and the causes for dissension range from a proposal to demolish the Georgian courthouse to build a car park, to arguments over a ramshackle cottage that may have belonged to the family of US President Herbert Hoover. But as the Sixties dawn, the town faces a threat that unites the whole community in moral outrage: the arrival of television...

The show must go on! Dublin-based Dessie (David Kelly) and Violet Doyle (Pauline McLynn) are trying to keep their theatrical costumier business afloat amidst drama, scandal and farce so brilliant it should be on stage itself. Attempting to embrace modern working practices, the pair find themselves in uproarious situations with a cast of colourful characters and multiple narrative threads…

Listen and laugh as the beleaguered couple embrace an offer from a local nun's drama group which might help, if only they don't get things mixed up with the Gaiety Theatre's opera production… Things go from bad to worse when the costumiers are asked to dress a British Embassy pageant, and unwittingly become embroiled in a money-laundering scandal. Salvation may be on the cards if they can deliver some vintage army uniforms to an American movie set, but a resident ghost seems to have other ideas. And trouble is brewing when two rival clog troupes threaten to come to blows… How will Violet create a special cloak for Sir Walter Raleigh with all that racket going on?!