Steve Berry

1945. In the waning months of World War II, Japan hid vast quantities of gold and other stolen valuables in boobytrapped underground caches all across the Philippines. By 1947 some of that loot was recovered, not by treasure hunters, but by the United States government, which told no one about the find. Instead, those assets were stamped classified, shipped to Europe, and secretly assimilated into something called the Black Eagle Trust.

Present day. Retired Justice Department operative, Cotton Malone, is in Switzerland doing a favor for a friend. But what was supposed to be a simple operation turns violent and Cotton is thrust into a war between the world's oldest bank and the CIA, a battle that directly involves the Black Eagle Trust.

Book 18 in the Cotton Malone series.

The Ghent Altarpiece is the most violated work of art in the world. Thirteen times it has been vandalized, dismantled, or stolen. Why? What secrets does it hold? Enter UNESCO investigator, Nicholas Lee, who works for the United Nations' Cultural Liaison and Investigative Office (CLIO). Nick's job is to protect the world's cultural artifacts-anything and everything from countless lesser-known objects to national treasures. When Nick travels to Belgium for a visit with a woman from his past, he unwittingly stumbles on the trail of a legendary panel from the Ghent Altarpiece, stolen in 1934 under cover of night and never seen since. Soon Nick is plunged into a bitter conflict, one that has been simmering for nearly two thousand years. On one side is the Maidens of Saint-Michael, les Vautours, Vultures, a secret order of nuns and the guardians of a great truth. Pitted against them is the Vatican, which has wanted for centuries to both find and possess what the nuns guard. Because of Nick the maidens have finally been exposed, their secret placed in dire jeopardy-a vulnerability that the Vatican swiftly moves to exploit utilizing an ambitious cardinal and a corrupt archbishop, both with agendas of their own.