Magpie Murders

When editor Susan Ryeland is given the tattered manuscript of Alan Conway's latest novel, she has little idea it will change her life. She's worked with the revered crime writer for years and Susan knows only too well, vintage crime sells handsomely. But Conway's latest tale of murder isn’t quite what it seems…

Retired publisher Susan Ryeland is running a small hotel on a Greek island with her long-term boyfriend. But life isn't as idyllic as it should be: exhausted by the responsibility of making everything work on an island where nothing ever does, Susan is beginning to miss her literary life in London - even though her publishing career once entangled her in a lethal literary murder plot. So when an English couple come to visit with tales of a murder that took place in a hotel the same day their daughter Cecily was married there, Susan can't help but find herself fascinated.

And when they tell her that Cecily has gone missing a few short hours after reading Atticus Pund Takes The Case, a crime novel Susan edited some years previously, Susan knows she must return to London to find out what has happened. The clues to the murder and to Cecily's disappearance must lie within the pages of this novel. But to save Cecily, Susan must place her own life in mortal danger...

Susan Ryeland has had enough of murder. She's edited two novels about the famous detective, Atticus Pünd, and both times she's come close to being killed. Now she's back in England and she's been persuaded to work on a third.

The new 'continuation' novel is by Eliot Crace, grandson of Miriam Crace who was the biggest selling children's author in the world until her death exactly twenty years ago.

Eliot believes that Miriam was deliberately poisoned. And when he tells Susan that he has hidden the identity of Miriam's killer inside his book, Susan knows she's in trouble once again.

As Susan works on Pünd's Last Case, a story set in an exotic villa in the South of France, she uncovers more and more parallels between the past and the present, the fictional and the real world - until suddenly she finds that she has become a target herself.